Copyright lawyer in Bucharest | Authors’ rights & licensing

In copyright matters, the gap between “I created it” and “I can stop unauthorised use” is usually evidence and speed. Without a clean record of what was created, when, and by whom (and without a fast response plan), copying becomes the new normal and the damage grows—especially online.

This page explains how I can help you protect and enforce authors’ rights: from evidence structuring and copyright contracts, to cease-and-desist notices, platform takedowns, and litigation when it is the most efficient option.

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In 30 seconds: what I do

Evidence & protection

structure evidence of authorship and priority (files, versions, timestamps, correspondence)
fast audit: what rights you likely have, what is missing, what the risk is
set a practical “paper trail” for future enforcement

Online infringements

cease-and-desist notices and negotiation (stop / licence / settlement)
platform takedowns and follow-through (repeat copies, mirror accounts)
strategy when the infringer escalates or counter-notifies

Contracts & licensing

licences (channels, territory, duration, exclusivity, royalties)
assignments and commissioned works (who owns what, when, and why)
creator/agency/freelancer agreements (deliverables, approvals, reuse)

Working principles (practical)

Evidence first. Before any step, we preserve and structure proof so it cannot be easily disputed later.
Choose the right tool. Sometimes a notice and a fast takedown solve the issue. Sometimes a damages strategy is the right move. We pick what is efficient for your case.
Contracts prevent disputes. Many conflicts start from unclear ownership in “commissioned” work. We fix this before it becomes a lawsuit.
Implementable outcome. The objective is a result you can use: content removal, stopping unauthorised use, a licence/assignment, and—where realistic—compensation.

What copyright commonly covers (in practice)

Each case depends on facts and documents, but the most frequent situations I see involve digital content and commercial creative work, such as:

texts, articles, scripts, educational materials (courses, slides, guides)
photography, video, graphics, layouts, marketing materials
music/voice-over and audio content
web and digital creative assets (depending on contribution and structure)
content published on social media, marketplaces and streaming platforms

Infringements: notice, takedown, negotiation, litigation

1) Evidence preservation and fast assessment

Online content can be modified or removed quickly. We start by creating a clean snapshot of the infringement: URLs, screenshots, dates, context, and—where relevant—file versions and publication history.

2) Cease-and-desist and negotiated solutions

cease-and-desist notices with clear demands and deadlines
negotiation where realistic: licence, acknowledgement, compensation, settlement
a plan if the infringement continues or expands

3) Platform takedowns (content removal)

When your primary goal is speed, takedown is often the most practical route. We prepare a complete and coherent notice aligned with the evidence, and we follow through until a usable result is achieved. A well-prepared takedown is harder to reverse through a counter-notice.

4) Litigation and compensation (when it makes sense)

court actions to stop the infringement and prevent further use
urgent steps where applicable and proportionate
damages/compensation when there is a solid legal and evidentiary basis

Copyright contracts: licences, assignments, commissioned work

In collaborations (agencies, freelancers, in-house teams, co-founders), disputes often appear because no one defined ownership and usage rights properly: who owns what, what is licensed vs. assigned, the scope, the duration, and what happens if the project ends. I help you draft contracts that resolve these points before they become costly.

licences: exclusivity, territory, duration, channels, royalties, termination
assignments: scope, warranties, delivery, payments and conditions
creator agreements: deliverables, approvals, reuse, portfolio rights (where appropriate)
confidentiality and know-how clauses where relevant

Typical situations where it makes sense to speak

your content is copied on websites, social media, or marketplaces
you have a conflict with a client/agency/freelancer about ownership of the work
you want to license a course, video, photography, or other content and need a solid contract
you received a notice claiming you infringed and need a response strategy
you need internal rules for content use (who can use what, where, with which approvals)

How we work (step by step)

Initial call & objective. Protection, removal, negotiation, licensing, or litigation.
Evidence audit. What exists, what is missing, what must be preserved immediately.
Strategy & calendar. Notice/takedown/contract/court steps—in the right order.
Execution. Drafting, submissions, negotiation, follow-through.
Implementation. Removal, stoppage, licence/assignment, compensation (where applicable).

Useful documents (indicative)

links and screenshots of the infringement (with date and context)
source files and versions (drafts, projects, edit timeline)
contracts and correspondence (briefs, deliverables, approvals, payments)
proof of publication/use (website, social media, campaigns, invoices)
damage evidence where compensation is pursued

Frequently asked questions (FAQ)

It helps as a signal, but it does not replace evidence and a coherent enforcement plan. When a dispute appears, documents and the way you act (notice/takedown/negotiation/litigation) matter most.

2) What should I do first if my content was copied?

Preserve evidence (screenshots, URLs, dates) and avoid messages that weaken your position. Then we choose the most efficient tool: notice, takedown and/or negotiation. Online, time matters.

3) Can I claim compensation for unauthorised use?

Sometimes yes, but the decision is also economic: what can be proven, what can be realistically recovered, and what route is efficient (fast removal vs. litigation). We assess this based on documents.

4) How do I avoid copyright conflicts with agencies and freelancers?

With clear contracts: ownership, licence/assignment, reuse, portfolio rights, payment and delivery terms. In copyright, the contract is often the best prevention.

5) What fees should I expect?

After an initial review, you receive a clear fee structure (fixed/hourly/by stages/success where applicable), what it includes, and which predictable costs may arise so you can plan realistically.

Let’s define the next steps (fast and clear)

Tell me what content is involved, where the infringement appears, and what deadline is pressing. You will receive concrete next steps and the first documents that matter.